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Column 388

Writing

Intro by Ted Kooser
08.26.2012

There are peo­ple who believe that the after­life exists in how we are remem­bered by the liv­ing, that we are reward­ed or pun­ished in the mem­o­ries of peo­ple who knew us. Writ­ing is a means of keep­ing mem­o­ries fresh and vivid, and in this poem Jud­son Mitcham, a Geor­gia poet, gives his father a nudge toward immortality.

Writing

But prayer was not enough, after all, for my father.
His last two brothers died five weeks apart.
He couldn’t get to sleep, had no appetite, sat
staring. Though he prayed,
he could find no peace until he tried
to write about his brothers, tell a story
for each one: Perry’s long travail
with the steamfitters’ union, which he worked for;
and Harvey—here the handwriting changes,
he bears down—Harvey loved his children.

I discovered those few sheets of paper
as I looked through my father’s old Bible
on the morning of his funeral. The others
in the family had seen them long ago;
they had all known the story,
and they told me I had not, most probably, because
I am a writer,
and my father was embarrassed by his effort. Yet
who has seen him as I can: risen

in the middle of the night, bending over
the paper, working close
to the heart of all greatness, he is so lost.

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We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2003 by Anhinga Press. Judson Mitcham’s most recent book of poems is A Little Salvation: Poems Old and New, Univ. of Georgia Press, 2007. Poem originally printed in This April Day, Anhinga Press, 2003; reprinted from The Autumn House Anthology of Contemporary American Poetry, 2nd ed., Ed., Michael Simms, Autumn House Press, 2011, by permission of Judson Mitcham and the publisher. Introduction copyright © 2024 by The Poetry Foundation.